We live in a world of collapsing roles, collapsing economies, and proliferating sub-identities. At an extreme, obscure YouTube stars of every ilk get tens of mi...
What follows is the essay I wrote about the Temple Contemporary-initiated project in Philadelphia called Funeral for a Home. This is the result of nearly a year...
The region of Southern California produces hundreds of MFA graduates each year, yet the traditional (and even non-traditional) art markets barely support a frac...
Sue Bell Yank, Elizabeth Currid-Halkett, and Sarah Schrank sit down to discuss both tired stereotypes and surprising realities about the L.A. art scene as part of SOCiAL: Art + People.
As an advocate for social practice and a former staff and board member of the Watts House Project, I feel a responsibility to respond to the recent LA Times article lambasting the Watts House Project and the character of its founder, Edgar Arceneaux.
Last week, the fantastic Justin Langlois of Broken City Lab asked me to answer this question for an interview series they are doing:
Is social practice, as a...
I have long been anticipating the Pacific Standard Time Performance and Public Art Festival that started yesterday in Los Angeles and continues through the 29th...
Today I'm pleased to present the latest installment of the Artists in Solidarity series, featuring the Johns (Burtle and Barlog, respectively), two artists wh...
Today I'm pleased to be highlighting Nancy Popp, a Los Angeles-based artist who has been part of both the New York and LA Occupations. Nancy has been so inv...