The third SOCiAL: Art + People interview posted on KCET Artbound today, about a variety of incredible hybrid practices from a community of artists connected to and springing from Occidental College.
Continuing with the third in my series of conversations with artists and organizers engaged with multivalent social and public practices as part of SOCiAL: Art + People, I was pleased to speak with participants in a panel that will take place on Thursday, October 18th at 7pm on the Occidental College campus. Organized by artist Mary Beth Heffernan with the Center for Community Based Learning and the Department of Art History and Visual Arts, the panel will include artists Tucker Neel, Stephen van Dyck, Geneva Skeen, and the collective bodycity. Though their practices are diverse, they are linked by their critical and performative interventions into the public sphere, be that bodily, sonically, or via technologies of communication. All slide through liminalities, through the political and the poetic, and are deeply influenced by the context of Los Angeles.
Sue Bell Yank: The title of this panel is “Can the Sidewalk Be a Stage?” but Mary Beth [Heffernan] said that the discussion will be primarily driven by your practices. How do you find your way into this question through your own art practices?
Mary Beth Heffernan: A little context on the first question…Anne Bray kindly came up with the title after our conversations about younger artists whose work engages the public sphere. She had a summer deadline and I didn¹t have a snappy title yet. I’m not sure I would have chosen the word “stage,” as it has theatrical connotations, but it does pose the question about a rhetorical shift in action and/or speech that I think can be helpful here. My intentions with the panel are to interpret the notion of stage widely to mean a theater of action in the spirit of Augusto Boal’s notion of theater, a prompt to dialogue, break down hierarchies, and re-narrativizing space.
Read the rest of the interview here.