Subscribe via RSS
Social Practice
Writings about the social in contemporary art
Pages
About
Categories
art world
artists
co-production
events
Exhibitions
Media and Technology
networks
Occupy
projects
publics
schools
SOCiAL
The City
theories
Uncategorized
Archives
May 2013
April 2013
February 2013
January 2013
November 2012
October 2012
September 2012
August 2012
July 2012
June 2012
May 2012
April 2012
March 2012
January 2012
December 2011
November 2011
August 2011
June 2011
May 2011
April 2011
February 2011
January 2011
December 2010
November 2010
October 2010
August 2010
July 2010
June 2010
May 2010
March 2010
February 2010
January 2010
December 2009
November 2009
October 2009
September 2009
August 2009
Tags
AAAAAA
Adam Overton
Anne Bray
Artist Placement Group
avant-garde
Chantal Mouffe
Claire Bishop
collectives
Creative Time
David Burns
dialogical aesthetics
Dont Rhine
Edgar Arceneaux
Elana Mann
Fallen Fruit
General Assembly
Grant Kester
Hammer Museum
horizontalism
incidental person
Janet Owen Driggs
John Latham
joseph beuys
Journal of Aesthetics and Protest
Machine Project
Mark Allen
Mathew Timmons
Michel de Certeau
Nancy Popp
Nato Thompson
Occupy LA
Occupy Wall Street
Open Engagement
Owen Driggs
relational aesthetics
Rikrit Tiravanija
Robby Herbst
SOCiAL: Art + People
socially-engaged art
social practice
Suzanne Lacy
UCLA
Ultra-red
Walker Art Center
Watts House Project
‘Food is Art, Art is Food’ Village market, outside of Chaing Mai, Thailand, 2008. | Photo: Courtesy Andy Lipkis.
Posted in October 24th, 2012
By
Sue Bell Yank
Filed under:
Uncategorized
Leave a Reply
Click here to cancel reply.
You must be
logged in
to post a comment.
You must be logged in to post a comment.